The stu­dio has the capac­i­ty for record­ing bands, choirs etc live, all togeth­er in the live room.

The live-room has wood­en walls and angled and damped ceil­ings. Every­thing usu­al­ly sounds great, straight off. 

The record­ing room (and the whole build­ing, actu­al­ly) presents quite a few pos­si­bil­i­ties when it comes to exper­i­ment­ing with micro­phone place­ments. Ambi­ence micro­phones on the stand, in the kitchen or in the upstairs hall can add a lot to your record­ing. A nice drum sound is more than possible.

Micro­phones
Lots of Ehrlund micro­phones here, includ­ing two hand-built tube mics by Göran Ehrlund him­self. A pair of Ehrlund EHR, six Ehrlund ‑D and ‑E mics, Ehrlund T + mics from Bey­er­dy­nam­ics, Shure, Sennheis­er, Rode and others. 

Instru­ments
Pre­mier Res­onator drum set, con­gas, two acoustic pianos, synths, string machines, dou­ble bass, acoustic and elec­tric gui­tars, elec­tric bass and much more. Marshall‑, Bassman‑, Roland Jazz Chorus‑, Music Man- and Acoustic ampli­fiers, all from the 60s and 70s.

The room itself
The live-room stands on its own con­crete slab with dou­ble exte­ri­or walls and ceil­ing to min­i­mize sound leak­ing in and out. The inner walls are made of wood and wired for micro­phones, speak­ers and for re-amp­ing purposes.

There are two amplifier/song booths with win­dows fac­ing the live room that sup­plies good sep­a­ra­tion between the instru­ments for live tracking.

Dur­ing record­ing, you con­trol your own mix with Hearback-mixers.

Most things sound good in the big room, straight off. Vocals are most often record­ed in the live-room. We encour­age you to  exper­i­ment with all the pos­si­bil­i­ties when it comes to micro­phone place­ments. Ambi­ence micro­phones on the stand, in the kitchen or in the upstairs hall can add a lot to your recording.